oil color
英 [ɔɪl ˈkʌlə(r)]
美 [ɔɪl ˈkʌlər]
n. 油溶性染料
英英释义
noun
- oil paint containing pigment that is used by an artist
双语例句
- This article mainly through the display design and painting color atmosphere two their language characteristics of the study, summed up the oil painting color on display design which has the inevitable effects of atmosphere.
本文主要通过对陈列设计色氛和油画彩围二者自身的语言特征的研究，总结出了油画彩色对陈列设计氛围其中有章可循的必然影响。 - For the diagnosis of the common faults of the transformer, the first thing is to make the primary analysis and identification based on the variations of the electric current, electric voltage, oil level, oil color, and noise, etc.
对于变压器常见故障的诊断一是根据变压器电流、电压、油位、油色、声音等方面发生的变化，进行初步分析和判断； - The Removal of Oil and Color from Organic and Oily Waste Water by Electrochemistry
含油有机废水的电化学除油褪色 - Influence of oil extraction process on oil color and countermeasures
油脂制备过程对油脂色泽的影响及应对措施 - Effect of oilseed composition on oil color
油料成分对油脂色泽的影响 - Cold pressed peanut oil color compared to heat pressed peanut oil is shallow, with a hint of peanut flavor.
冷榨花生油色泽相比热榨花生油较浅，具有淡淡的花生香味。 - In particular, the formation of the focus of tone, role, type and color done a lot of discussion, because the color is the soul of every color painting, oil painting and color is one of the most important performance of the language.
尤其重点从色调的形成、作用、类型和色彩的方面做了大量的论述，因为，色调是一切色彩画的灵魂，而色彩是油画最重要的表现语言之一。 - This is the main direction of oil painting color creation in the image age.
这也是影像时代油画色彩创作的主要方向。 - The color in the historical development of western oil painting, establish the trait of subjectivity, promoting the symbolic characteristics of the oil painting color, outstanding oil painting color performance characteristics.
色彩在西方油画艺术中的历史发展，确立了油画色彩的主观性特点，提升了油画色彩的象征性特点，突出了油画色彩表现性特点。 - Discusses the design language of oil painting color atmosphere of attachment and dependence on oil painting color, environmental characteristics, resulting in a different color atmosphere, make its application in display design in the content and the form, and can be multiple and rich.
论述了陈列设计氛围语言里对油画彩色的附着性和依赖性，在油画彩色环境的自身特征下，造成不同的色彩氛围，使其运用在陈列设计的形式和内容中，而得以多元和丰富。